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What We Do in the Shadows

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General Review

Parent's Guide to What We Do in the Shadows

What We Do in the Shadows is a comedy horror mockumentary television series that delves into the nightly exploits of four ancient vampire roommates living on Staten Island, New York. Based on the 2014 film of the same name, the show follows Nandor, Laszlo, Nadja, and energy vampire Colin Robinson, along with Nandor's long-suffering human familiar, Guillermo, as they navigate the mundane challenges of modern life and the eccentricities of the supernatural world. The series blends deadpan humor with gore and supernatural elements, satirizing vampire tropes and the documentary format.

Things to Consider

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LGBTQ & Gender Identity

The series features significant and explicit LGBTQ+ representation, with multiple main characters openly identifying as queer or pansexual, and their sexual orientations being central to character development and humor. The show normalizes diverse sexualities among its vampire characters.

Laszlo and Nadja, a married vampire couple, both openly admit to having had 'intense affairs' with the ancient, gender-neutral Baron Afanas. Additionally, Guillermo explicitly comes out as gay to his family in Season 4, stating, 'And Nadja isn't my girlfriend… because I'm gay,' to which his family casually responds that they 'don't give a sh*t about you being gay, we've known that forever.' Nadja's centuries-long love interest, Gregor, is revealed to have reincarnated in various forms, including a 'French washerwoman' with whom Nadja 'passionately made love.' Nandor, originally perceived as straight, reveals in Season 4 that some of his 37 wives were men, noting it was 'perfectly normal for men to marry each other' in his historical period. Laszlo openly describes his pansexuality, stating his preferences as 'Men, men, men, women, women, women' and 'Anything gets me hard!', also proudly mentioning starring in extensive same-sex pornography.

Violence

The show contains frequent, explicit, and often graphic fantasy violence and gore, though it is usually presented with comedic undertones. Depictions include vampire feedings, dismemberment, impalement, and intense fights.

Romance and Sexual Content

There is extensive and explicit romantic and sexual content, including suggestive language, discussions of sexual acts, and references to orgies and pornography. Nudity may occur in a non-sexual context, but sexual themes are pervasive.

Profanity

The series features an excessive and frequent use of strong profanity, including prominent use of the 'f-word' and other coarse language and scatological slang.

Witchcraft & Occult

Witchcraft, occult practices, and various supernatural creatures are fundamental to the show's premise and plot. The world is populated by vampires, witches, werewolves, ghosts, wraiths, and other magical beings who regularly engage in supernatural activities.

Disrespect & Rebellion

Disrespect for authority, human laws, and societal norms is a consistent and central theme. The main characters, as ancient vampires, exhibit a profound disregard for human life and modern conventions, often engaging in rebellious acts.

Anti-Christian Themes

The show contains explicit anti-Christian themes, including mockery of Christian beliefs and symbols, and portrays Christian artifacts as actively harmful to vampires.

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Substance UseScary & Intense Content
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Substance Use

The show includes references to and depictions of substance use, including drug-laced blood consumed by vampires, casual alcohol consumption, and supernatural drugs used by other creatures.

Scary & Intense Content

While primarily a comedy, the series is categorized as comedy horror and features grotesque imagery, disturbing creature designs, vampire attacks, and intense situations that may be frightening or unsettling to some viewers.

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“What We Do in the Shadows” presents a comedic, mockumentary exploration of vampiric existence that operates largely outside of, and often in direct contradiction to, biblical values. The core themes revolve around the mundane challenges of immortality, power dynamics, and social awkwardness, rather than moral rectitude. Characters are generally rewarded for vice and cunning, or simply by continuing their existence, rather than for virtue; there is no clear moral accountability for their predatory nature or their often selfish actions from a transcendent perspective. While the Vampiric Council exists, its justice is often portrayed as arbitrary or comically inept, offering little true ethical framework. The worldview presented is largely relativistic and hedonistic, where personal desires and the pursuit of petty self-interest drive character motivations, with little to no grounding in a transcendent view of life or inherent moral absolutes. The vampires' long existence has often led to boredom and squandered potential, highlighting a life devoid of ultimate meaning beyond immediate gratification. Elements of sacrifice, forgiveness, grace, or redemption in a biblical sense are absent, as characters typically seek personal advantage or escape from consequences rather than spiritual transformation. Even Guillermo's loyalty, while seemingly virtuous, is often rooted in his desire to become a vampire, a state fundamentally at odds with Christian values. Family values are depicted through the lens of a highly dysfunctional 'found family,' characterized by constant bickering, manipulation, and exploitation, particularly towards their human familiar, Guillermo. While some relationships, like Laszlo's surprising paternal care for Baby Colin, can show unexpected tenderness, these moments are often framed within the show's dark humor and do not align with traditional, biblically-informed family structures or authority. Faith representation, specifically Christianity, is treated superficially and largely as a comedic device or a physical impediment for vampires, rather than a source of spiritual truth. Churches and holy water are depicted as practical threats to vampires, as seen when characters inadvertently suffer in a church funeral scene, but the show does not engage with the spiritual aspects of faith respectfully. The vampires themselves hold many absurd beliefs about the world, such as Nandor's conviction that Earth rides on a giant turtle, further demonstrating a lack of engagement with any divinely ordered reality. For Christian parents, the series primarily offers satirical entertainment, but its underlying messaging and character ethics are fundamentally at odds with a Christian worldview.

Additional Context

Best For Ages

TV-MA. This series is explicitly for mature audiences (17+) due to pervasive strong language, explicit sexual content and references, graphic violence and gore, and mature thematic elements including extensive LGBTQ+ representation and occult practices. It is not suitable for children or younger teenagers.

Good to Know

The comedic and mockumentary style of 'What We Do in the Shadows' often uses extreme content for humorous effect, which may not lessen the impact of the mature themes for sensitive viewers. The show's content has remained consistently intense across its seasons, with an ongoing escalation of supernatural elements and character relationships.

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