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One of Us Is Lying

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General Review

Parent's Guide to One of Us Is Lying

One of Us Is Lying is an American teen drama mystery television series based on Karen M. McManus's bestselling novel. The series follows five high school students who enter detention, but only four emerge alive after one student, Simon Kelleher, dies under suspicious circumstances. Simon was known for running a gossip app that exposed his classmates' deepest secrets, making the remaining four students — Bronwyn, Addy, Nate, and Cooper — prime suspects in his death. The narrative unravels their secrets, relationships, and attempts to uncover the truth behind Simon's demise while navigating the complexities of high school life and a murder investigation. The show explores themes of identity, social dynamics, and the consequences of hidden truths. It is targeted at a young adult audience but contains mature themes and content, including violence, sexual situations, strong language, and substance use, making it generally more appropriate for older teenagers and adults.

Things to Consider

High7

LGBTQ & Gender Identity

The series features prominent LGBTQ+ characters and themes. Cooper Clay is explicitly identified as gay and is in a relationship with a college student named Kris. Janae Matthews, Simon's best friend, is a lesbian, and her character in Season 2 is also explored as gender-fluid, using they/she/he pronouns. The showrunners aimed to portray LGBTQ+ issues realistically, including the challenges and acceptance within characters' lives.

Cooper Clay's storyline involves him being a closeted gay athlete, with his secret relationship with Kris being a central plot point. His girlfriend, Keely, is aware of his sexuality and acts as a 'beard.' Janae Matthews is openly lesbian and in Season 2, her character's gender identity is explored as gender-fluid, indicated by the use of they/she/he pronouns. Cooper also faces homophobia when his first boyfriend's brother attacks him, leading to Cooper's arrest.

Violence

The series contains significant violence, including a central murder mystery and depictions of physical altercations, suicide attempts, and threats with weapons. The narrative involves life-or-death situations and the psychological toll of severe bullying and secrets.

Romance and Sexual Content

The show features extensive romantic and sexual content, including discussions and depictions of infidelity, casual sexual encounters, and implied sexual activity. Teen relationships are central to the plot, often involving mature themes and unprotected sex.

Profanity

The series features frequent and strong profanity. Reviews indicate the use of explicit curse words and derogatory terms, reflecting casual and intense language among high school students.

Substance Use

Substance use is explicitly depicted and plays a significant role in character backstories and plot developments. This includes drug dealing, prescription drug abuse, and underage alcohol consumption.

Scary & Intense Content

The series features intense and suspenseful content centered around a murder mystery, including themes of death, suicide, and psychological manipulation. Characters are placed in dangerous situations, and the constant threat of exposure or further violence creates a high level of tension.

Disrespect & Rebellion

Disrespect and rebellion are central themes, particularly through the use of Simon's gossip app, 'About That,' which thrives on exposing private information and undermining social norms. The teenage characters frequently defy authority figures and engage in secretive, often illicit, behaviors.

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Low2
Witchcraft & OccultAnti-Christian Themes
Low2

Witchcraft & Occult

There is no indication of witchcraft or occult themes in the 'One of Us Is Lying' TV series or its source material. The narrative is grounded in contemporary mystery and teen drama.

Anti-Christian Themes

The series does not contain explicit anti-Christian themes. While some characters were raised Catholic and there are instances of God's name being used in vain, there is no overt mockery, criticism, or sacrilegious portrayal of Christian beliefs or symbols.

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One of Us Is Lying presents a complex moral landscape, often contradicting biblical values while also offering some avenues for discussion. Core themes revolve around the corrosive impact of secrets, lies, stereotyping, and gossip, which directly align with biblical warnings against slander, deceit, and judging others. The show highlights the destructive power of a desire for power and revenge, exemplified by characters like Simon and Jake, who manipulate and harm others, reflecting biblical principles that warn against such motivations. The series also explores identity and authenticity, and the pressure to conform, which can resonate with Christian teachings on finding one's identity in Christ rather than worldly approval. However, the show's portrayal of frequent underage drinking, drug dealing, sexual situations, and gratuitous strong language deviates significantly from biblical standards of purity, temperance, and wholesome communication. Character morality in the series is largely relativistic. While some characters like Addy undergo significant development, moving from a superficial existence to finding inner strength and courage, many initial actions are driven by self-preservation and hiding sin. Nate, despite a troubled past, shows glimmers of a moral compass, particularly in his care for Bronwyn and his family situation, but also engages in drug dealing. Characters are not consistently rewarded for virtue or punished for vice in a clear, straightforward manner, and moral accountability can feel blurred or delayed. The worldview presented leans heavily towards a materialistic and relativistic perspective, where personal truth and survival often supersede objective moral standards. There is little explicit transcendent view of life or meaning; instead, characters grapple with consequences within a humanistic framework, often driven by immediate desires and social pressures. The show largely lacks overt themes of Christian redemption, grace, or forgiveness as understood biblically, though characters do seek to rectify past wrongs and protect each other, which could be seen as secular forms of loyalty and repentance. Family values are often depicted as broken or challenging. Nate comes from a broken home with an alcoholic father and an absentee mother, forcing him to take on adult responsibilities. Cooper's family is supportive, particularly in his journey of self-acceptance, yet he initially hides his true identity from them, reflecting a struggle with authenticity within family structures. Bronwyn's parents are described as well-to-do Ivy League graduates, and she feels immense pressure to maintain a perfect image for them, leading to deceit. These portrayals highlight the complexities and strains within modern family dynamics, sometimes showing supportive elements but often underlining a lack of strong, guiding authority or biblical family structures. Faith or Christianity is not a prominent theme or element within the narrative, and therefore, it is neither respectfully nor negatively portrayed in any significant way. Parents should be aware of the mature content and the show's moral ambiguity, which can serve as a springboard for discussions on truth, consequences, and identity from a Christian perspective.

Additional Context

Best For Ages

Ages 16+ due to frequent strong language, explicit sexual content, underage substance use, violence, mature LGBTQ+ themes, and themes of suicide and mental health struggles. Christian parents may find the content, particularly the moral ambiguity and explicit sexual and LGBTQ+ themes, unsuitable even for adults.

Good to Know

The TV series deviates from the book's plot in its second season, introducing new storylines and character developments while maintaining the core premise of a teen mystery. The show frequently explores complex moral dilemmas and the consequences of actions, which can be a point of discussion for parents. The rapid pace and multiple twists may be intense for some viewers. The portrayal of mental health, including suicide and addiction, requires careful consideration.

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