M.I.A.

M.I.A. (2026) presents a narrative deeply rooted in themes of revenge, criminal enterprise, and the pursuit of power in a corrupt world. The core message revolves around Etta Tiger Jonze's transformation from a grieving orphan into a 'queenpin' driven by personal retribution, which directly contradicts biblical values emphasizing forgiveness, seeking lawful justice, and turning away from violent vengeance (Romans 12:19). The series appears to reward ruthlessness and cunning within the criminal underworld, suggesting a worldview where vice often leads to success in secular terms, rather than promoting moral accountability guided by divine principles. The worldview presented leans heavily towards materialism and moral relativism, where survival and personal gratification (in this case, revenge and power) dictate actions, with little to no indication of a transcendent purpose or absolute moral truths. While Etta initially exhibits a moral compass by freeing human trafficking victims, her subsequent path of becoming a 'ruthless criminal Queenpin' indicates a descent into morally compromised actions, lacking clear themes of repentance, grace, or redemption. Family relationships are portrayed, but often within the context of criminal activity, where loyalty is to a criminal enterprise or a 'chosen family' formed in the drug trade, rather than upholding traditional, biblically sound family values or authority structures. There is no explicit representation of faith or Christian practices within the series' narrative, nor any anti-Christian themes, suggesting that faith is largely absent from the characters' lives and the story's overall framework.