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Screen for YOUR familyLandman is an American drama series, co-created by Taylor Sheridan and Christian Wallace, that immerses viewers in the high-stakes world of West Texas oil fields. The narrative centers on Tommy Norris, a seasoned landman for an oil company, as he navigates complex land lease negotiations, corporate politics, and dangerous incidents in the pursuit of black gold. The show blends elements of soap opera and crime drama, offering a raw and often gritty portrayal of the energy industry and the lives entwined with it. Target audiences are mature adults, given the series' themes and explicit content. While exploring themes of ambition, family dynamics, and survival in a cutthroat environment, Landman frequently features mature content. It is characterized by intense violence, pervasive strong language, and explicit sexual references, alongside depictions of substance abuse. The series delves into the moral complexities of its characters, often portraying them with a tough, no-nonsense demeanor. Due to its mature themes and graphic content, parental guidance strongly advises against younger viewers.
Landman features frequent and graphic violence, including deaths from gunshots, explosions, and brutal beatings. The series does not shy away from depicting severe injuries, close-up shots of charred bodies, and instances of characters sustaining gruesome harm.
In one instance, a truck collision with an airplane results in a large explosion, burning people inside to death, with later close-up shots of charred corpses. Tommy Norris is shown cutting off the tip of his own injured pinky finger onscreen with a knife. In Season 2, Episode 9, Cooper Norris beats a man within an inch of his life after he attempts to assault Ariana, punching him 17 times.
The series contains frequent sexual references, explicit innuendo, and some nudity. Discussions and jokes about sexual acts, body parts, and relationships are common, alongside scenes implying sexual activity and featuring partial nudity. There are also references to sex work and masturbation. A scene in Season 2 Episode 9 depicts an attempted sexual assault.
Profanity is extremely frequent and strong throughout the series, with many instances of offensive language. Multiple sources highlight the pervasive use of expletives in character dialogue.
The series frequently depicts characters using alcohol and tobacco. There are also explicit references to and depictions of illegal drugs and their trade, indicating a pervasive presence of substance-related content.
The show contains highly intense and potentially frightening content, primarily stemming from graphic violence, dangerous situations, and a scene of attempted sexual assault. These elements are central to the dramatic tension and often depict dire consequences.
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The series introduces a non-binary character, Paigyn Meester, in Season 2, Episode 9. Their initial portrayal sparked controversy, being described by some as a 'strawman' of liberalism in interactions with Ainsley Norris. However, their character later develops in the Season 2 finale, with Ainsley defending Paigyn from anti-LGBTQ bullies, leading to a more positive and nuanced representation. The actor playing Paigyn, Bobbi Salvör Menuez, is openly trans and non-binary.
Characters in Landman frequently display disrespect and rebellious attitudes, particularly towards authority figures and societal norms. This is seen in both dialogue and actions, contributing to the show's gritty and often confrontational tone.
The series includes frequent misuse of sacred names, which can be considered anti-Christian. While one review describes the show as having a 'strong moral worldview with pro-family and other conservative values', the explicit and pervasive profanity, including misuses of God's and Jesus' names, presents conflicting messaging for Christian viewers.
There is no evidence found of explicit witchcraft or occult practices, rituals, or themes being central or significantly present in the series.
Landman, set against the gritty backdrop of the West Texas oil fields, primarily explores themes of ambition, power, and survival within a cutthroat industry. The core messaging often highlights the dichotomy between wealthy industry titans and the working-class individuals striving to make a living, suggesting a largely materialistic worldview where financial gain and power are paramount. While the show aims for authenticity in its portrayal of the oil business, its worldview tends to be a pragmatic, often cynical one, where moral compromises are commonplace. It often presents complex situations without clear moral answers, suggesting a relativistic perspective where 'right' and 'wrong' are blurred by circumstances and self-interest. There is little indication of a transcendent view of life or meaning beyond the immediate struggles for wealth and control. Character morality in Landman is depicted in shades of grey, with main character Tommy Norris described as a morally complex individual whose actions cannot be simply defined as good or evil. Virtue is not consistently rewarded, and characters often resort to questionable or unlawful methods to achieve their goals. Moral accountability appears to be more a consequence of being caught or facing practical repercussions than an inherent justice system. Redemption themes, if present, are fleeting and often overshadowed by the relentless pursuit of ambition and power, stopping short of offering clear answers or resolutions. While there might be moments of grace, they are not presented as leading to lasting transformation or spiritual redemption. The show delves into the philosophical, political, and spiritual sides of its characters, but often through a lens of struggle and compromise. Family values are a significant, albeit messy, element of the series, portraying complex and often volatile relationships within the Norris family. The show delves into issues like alcoholism and generational trauma, aiming for a realistic portrayal of family dynamics rather than an idealized one. While commitment to family is present, it often manifests amidst conflict and imperfect attempts at connection. Authority and parenting are depicted within this flawed family structure, where characters grapple with their pasts and their impact on the present generation. Faith or Christianity is not a prominent or respectfully depicted theme within the available information, with one review noting the show's potential to elicit reflection on morality for Christian viewers but highlighting its lack of explicit faith representation or clear moral guidance. Some content, particularly involving a young female character, has been criticized as problematic and bordering on inappropriate, raising concerns about the show's portrayal of women and sexual themes.
Not recommended for viewers under 18. The series contains pervasive strong language, frequent graphic violence, explicit sexual content and nudity, and significant substance abuse, making it suitable only for mature adult audiences.
The content intensity for Landman appears consistent across the first two seasons, with reviews highlighting significant levels of violence, language, and sexual content from the premiere. The introduction of a non-binary character in Season 2 indicates an evolving scope of social themes. The series has been renewed for a third season, suggesting continued exploration of these mature themes.
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