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Traveling Husbands

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General Review

Parent's Guide to Traveling Husbands

Traveling Husbands (1931) is a pre-Code drama film that delves into the lives and moral dilemmas of traveling salesmen during the Great Depression. Set in a Detroit hotel, the narrative follows Barry Greene, a salesman striving for success, and Ellen Wilson, a neglected socialite seeking excitement. The film, also featuring characters like the call girl Ruby Smith and the married salesman Ben Hall, explores themes of ambition, infidelity, and the pursuit of a 'wild life' in an era of loosening moral standards. While incorporating elements of comedy and crime, the movie's plot centers on intertwining romantic entanglements and serious consequences arising from reckless behavior.

Things to Consider

High1

Romance and Sexual Content

The movie features implied sexual activity, references to prostitution, and an attempted sexual assault, reflecting the pre-Code era's more risqué themes.

The plot explicitly mentions that Barry's 'compatriots, all "traveling husbands" (married traveling salesmen), are enjoying a party with several call girls'. Later in the film, salesman Ben Hall takes Ellen Wilson back to his room where 'he attempts to force his attentions on her', implying attempted sexual assault.

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Medium4
ViolenceSubstance UseScary & Intense ContentDisrespect & Rebellion
Low4
LGBTQ & Gender IdentityProfanityWitchcraft & OccultAnti-Christian Themes
Medium4

Violence

The film includes a significant act of violence involving a firearm, resulting in injury. An altercation leads to a character being shot, driven by a jealous rage.

Substance Use

The film portrays social drinking and mentions 'alcohol-fueled escapades' as a characteristic of the pre-Code era, indicating the presence of alcohol consumption by characters.

Scary & Intense Content

The movie contains intense dramatic situations, including an attempted sexual assault and a shooting, which can be distressing due to their themes of violence and coercion.

Disrespect & Rebellion

A central plot point involves a daughter engaging in rebellious behavior as a direct response to perceived parental neglect.

Low4

LGBTQ & Gender Identity

Comprehensive searches for LGBTQ+ and gender identity content within 'Traveling Husbands (1931)' and related information about its director, Paul Sloane, yielded no specific mentions or portrayals. While the 1930s saw burgeoning queer culture, this film does not appear to feature any LGBTQ+ characters or themes.

Profanity

No specific instances of profanity or strong language were noted in the available plot summaries or critical reviews for 'Traveling Husbands (1931)'. Given the film's pre-Code era, any profanity would likely be mild by modern standards or implied rather than explicit.

Witchcraft & Occult

There is no indication of witchcraft, sorcery, occult practices, or supernatural elements within the plot or descriptions of 'Traveling Husbands (1931)'.

Anti-Christian Themes

No information suggests the presence of anti-Christian themes, characters mocking Christian beliefs, or sacrilegious acts in 'Traveling Husbands (1931)'.

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From a Christian worldview, 'Traveling Husbands (1931)' presents a morally complex world typical of the pre-Code era, highlighting the consequences of neglecting biblical values. The film showcases characters who are rewarded for virtue and vice in a mixed manner; while the protagonist Barry Greene ultimately aligns with more honorable intentions, characters like Ben Hall face direct repercussions for their illicit actions, such as attempted assault and involvement with a 'call girl' ultimately leading to him being shot. This suggests a form of moral accountability, though not necessarily framed in a explicitly religious context. The film's portrayal of infidelity and prostitution directly contradicts biblical teachings on marital fidelity and sexual purity, presenting a worldview heavily influenced by materialistic desires and a relativistic approach to morality in the pursuit of personal pleasure or perceived freedom. The movie touches upon family values through the strained relationship between Ellen Wilson and her father, J.C. Wilson. Ellen's rebellion is a reaction to her father's neglect, suggesting that a breakdown in familial relationships can lead to harmful choices. While the film doesn't explicitly offer themes of redemption, sacrifice, or grace in a spiritual sense, the reconciliation between Ben Hall and his wife Martha after the shooting, and J.C. Wilson's realization of his neglect towards Ellen, hint at secular forms of forgiveness and the possibility of personal change. Faith representation is absent, with the narrative focusing entirely on secular struggles and societal norms of the time rather than a transcendent view of life or the role of faith in moral decision-making. The film serves as a cautionary tale on the pitfalls of chasing worldly pleasures and neglecting relational responsibilities, even without an overt Christian message.

Additional Context

Best For Ages

16+ (Due to mature themes including infidelity, prostitution, attempted sexual assault, and a shooting incident, the film is best suited for mature teenagers and adult audiences.)

Good to Know

As a pre-Code film, 'Traveling Husbands (1931)' contains content that was considered daring for its time, including discussions and depictions of infidelity, prostitution, and attempted assault. Parents should be aware that while explicit visuals may be limited by early filmmaking techniques and the standards of the era, the themes presented are mature and potentially disturbing.

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