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The Conjuring

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General Review

Parent's Guide to The Conjuring

The Conjuring is a supernatural horror film released in 2013, directed by James Wan. It is the first installment in The Conjuring Universe franchise and is based on the alleged real-life experiences of paranormal investigators Ed and Lorraine Warren. The film centers on the Perron family, who experience increasingly disturbing supernatural occurrences in their newly acquired farmhouse in Rhode Island, prompting them to seek the help of the Warrens. Targeted at an adult audience, the film is known for its intense scares, psychological terror, and strong religious themes, particularly focusing on demonic possession and exorcism. It is not suitable for children due to its graphic depictions of violence, disturbing imagery, and pervasive frightening content.

Things to Consider

High4

LGBTQ & Gender Identity

While the first 'The Conjuring' film does not explicitly feature LGBTQ+ characters, some analyses interpret the villain Bathsheba as a 'queer-coded' figure, critiquing the film's strong pro-Christian and pro-family narrative as implicitly conservative. Later installments in the franchise, specifically 'The Conjuring: The Devil Made Me Do It' and its comic tie-ins, feature implied and confirmed LGBTQ+ themes related to characters and plot points, including discrimination.

In 'The Conjuring: The Devil Made Me Do It' (the third film), the witch's curse explicitly requires a 'lover' as one of the three victims. It is strongly implied and confirmed in the associated comic, 'The Conjuring: The Lover #3,' that Jessica, one of the victims, was in a lesbian relationship with Katie, and that Jessica was the 'lover' referred to in the curse. The Occultist, the antagonist, uses voices to taunt Jessica about being gay, exploiting her fears and insecurities related to her sexuality to facilitate her possession and actions, including stabbing Katie. Furthermore, academic and fan discussions describe the demon Bathsheba in the original 'The Conjuring' as a 'monstrous queer/abject female' figure, reflecting conservative anxieties and using an 'unfeminine' portrayal that some interpret as overtly transphobic, indicating a perceived 'queer-coded' villainy that is contrasted with the film's 'baptized, straight, white American family' ideal.

Violence

The Conjuring features frequent and intense supernatural violence, including physical assaults, self-harm under demonic influence, and implied brutal acts, though often with minimal graphic gore. The violence is primarily psychological and supernatural in nature, creating a sense of dread and terror.

Witchcraft & Occult

Witchcraft and occult themes are central and pervasive to 'The Conjuring,' forming the core of its horror narrative. The film explicitly depicts demonic possession, curses, and the practice of dark rituals, with significant emphasis on the malevolent influence of a witch and her demonic entity.

Scary & Intense Content

The Conjuring is characterized by extremely high levels of scary and intense content, including numerous jump scares, prolonged sequences of psychological horror, and disturbing imagery designed to evoke fear and dread. The film relies heavily on atmospheric tension, unsettling visuals, and sudden, loud shocks.

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Medium2
ProfanityAnti-Christian Themes
Low3
Romance and Sexual ContentSubstance UseDisrespect & Rebellion
Medium2

Profanity

The Conjuring contains infrequent use of strong language. While not pervasive, some expletives are present in moments of stress or fear.

Anti-Christian Themes

The Conjuring is overtly pro-Christian and uses Christian faith as the primary means to combat demonic forces. While some critics view its strong religious messaging as 'reactionary politics,' the film itself portrays faith, prayer, and Catholic rituals as essential and effective tools against evil.

Low3

Romance and Sexual Content

The film contains very little explicit romance or sexual content. The relationship between Ed and Lorraine Warren is portrayed as a loving and supportive partnership, central to the narrative, but without any graphic or overt sexual scenes. There is no nudity beyond a brief, non-graphic depiction of a newborn baby in a later franchise installment.

Substance Use

The film includes minor and infrequent depictions of alcohol consumption, primarily in social settings and not as a central plot element or glamorized activity. There is no depiction of illegal drug use.

Disrespect & Rebellion

The film does not prominently feature themes of disrespect or rebellion among its main characters, particularly within the Perron or Warren families, who are portrayed as cohesive units. Any defiance typically stems from the demonic entity's influence rather than character-driven disrespect.

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The Conjuring presents a decidedly transcendent worldview, emphasizing the reality of spiritual warfare and the existence of both good and evil supernatural forces. Core themes align significantly with biblical values by portraying faith in God and the power of love as the ultimate defense against demonic oppression. The film's narrative often showcases that faith can save and love has ultimate power, especially in the battle for souls where memories with loved ones give characters strength to overcome evil. In terms of character morality, the Warrens are depicted as devout Catholics whose spiritual integrity guides their mission to help others, acting out of a sense of Christian duty to protect those oppressed by evil. Their virtuous actions are consistently rewarded with success in confronting demonic forces, reinforcing a clear moral accountability where dedication to faith and family is presented as vital for protection and victory. The portrayal of redemption themes, while not explicitly evangelical, is present through sacrifice and the idea that God's power can overcome evil. Lorraine Warren's clairvoyant abilities come with a personal toll, demonstrating a cost associated with engaging in spiritual battles for the sake of others' souls, which can be interpreted as a form of sacrifice. The movie effectively presents a binary opposition of good versus evil, with Christianity as a positive force against paganism (represented by the witch Bathsheba) and demonic entities that corrupt and insult Christian imagery. Family values are strongly upheld, with the Perron family's bonds and the Warrens' loving and supportive marriage serving as critical strengths against the demonic attacks. The film suggests that traditional, heteronormative family units are central to resisting evil, with the antagonists often threatening these values. Faith representation in *The Conjuring* is overwhelmingly positive and respectful, particularly towards Catholicism. The film frequently uses Christian iconography, dialogue, and rituals, such as rosaries, crucifixes, holy water, and Latin scripture, as effective tools against demons. It underscores the authority of Jesus Christ over demonic forces, with the Warrens acting as agents of the church who defend against malevolent entities. While some critics note that the film emphasizes the reality of demons and the need for exorcism, perhaps more than an overarching message of forgiveness and love often central to the Gospel, it undeniably affirms that God is real and the devil is real, encouraging a belief in these fundamental truths.

Additional Context

Best For Ages

17+ due to pervasive sequences of intense terror, supernatural violence, disturbing imagery, and mature thematic elements including demonic possession. The MPAA rating of R confirms its unsuitability for younger audiences. Younger viewers could find the constant jump scares and psychological torment deeply unsettling and potentially traumatizing.

Good to Know

The Conjuring is the foundational film of a larger cinematic universe, and while this analysis primarily focuses on the first movie, elements from sequels (like 'The Conjuring: The Devil Made Me Do It') were referenced to provide a comprehensive view of how certain concerns, particularly LGBTQ+ representation, evolve within the franchise and its expanded media (e.g., comic tie-ins). There are no known significant differences between theatrical, extended, or director's cuts that dramatically alter the parental guidance for the first film.

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