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Soul

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General Review

Parent's Guide to Soul

Soul is a visually stunning animated fantasy-comedy-drama from Pixar, exploring profound existential questions about life's purpose and the meaning of existence. The story follows Joe Gardner, a middle school music teacher and aspiring jazz pianist, who experiences a near-death accident just as he secures his big break. His soul embarks on an unexpected journey from the "Great Beyond" to the "Great Before," a cosmic realm where new souls develop their personalities and passions before coming to Earth. Paired with a defiant soul named 22, who has no desire to live on Earth, Joe must help her find her "spark" while simultaneously trying to return to his own body before his dream opportunity vanishes. The film thoughtfully blends vibrant animation, jazz music, and deep philosophical themes, making it accessible to a wide audience. It encourages viewers to appreciate the small, everyday joys of life beyond grand ambitions.

Things to Consider

Medium6
ViolenceProfanityWitchcraft & OccultScary & Intense ContentDisrespect & RebellionAnti-Christian Themes
Low3
LGBTQ & Gender IdentityRomance and Sexual ContentSubstance Use
Medium6

Violence

The movie contains mild, mostly slapstick violence and peril, particularly related to the themes of death and the afterlife. Joe Gardner's initial death and subsequent near-death state are central. The depiction of 'Lost Souls' can be visually intense for younger viewers, though overall graphic violence is absent.

Profanity

The film includes some mild language. The word 'hell' is used several times by child-like souls in the context of a place, which some parents found concerning as it could lead to children repeating the term. Other mild terms like 'butt,' 'stupid,' 'idiot,' and 'imbecile' are also present.

Witchcraft & Occult

"Soul" explores a fantasy spiritual worldview involving the "Great Before" (where souls originate) and the "Great Beyond" (the afterlife), distinct from Christian teachings. It features cosmic beings ('Jerries') and mystics ('Moonwind') who interact with souls. These are presented as allegorical fantasy elements, not direct depictions of real-world witchcraft or occult practices, but they establish a non-Christian theological framework.

Scary & Intense Content

The movie contains several scenes and themes that could be intense for younger or sensitive children. These include the concept of death, near-death experiences, the separation of Joe's soul from his body, and the visual representation of 'Lost Souls' as dark, monstrous figures. The transformation of a character into a 'Lost Soul' is particularly dramatic.

Disrespect & Rebellion

The central plot involves Joe Gardner's strong refusal to accept his death and 22's long-standing rebellion against living on Earth. Both characters actively defy cosmic rules and authority figures (the Jerries) to achieve their desires. 22 is characterized by a sarcastic and defiant attitude towards her mentors and life itself.

Anti-Christian Themes

The film presents a spiritual cosmology for the origin and destiny of souls that significantly deviates from traditional Christian theology. It establishes a 'Great Before' for soul development and a 'Great Beyond' as an afterlife, managed by cosmic counselors, rather than aligning with biblical concepts of creation, purpose, and salvation. Christian reviews note its 'bad theology and problematic pop spirituality' without overtly mocking Christian beliefs.

Low3

LGBTQ & Gender Identity

The film does not contain explicit LGBTQ+ characters or themes. While some speculative discussion exists regarding a 'gay subtext' for the main character Joe due to his lack of expressed heterosexual interest, this is directly contradicted by references to a past romantic interest, Lisa. Unborn souls are initially presented as genderless, but 22 is identified as female. No explicit LGBTQ representation is present.

Romance and Sexual Content

Romantic and sexual content in "Soul" is minimal. There's a brief mention of a past potential romantic interest for Joe, and one accidental, non-romantic kiss occurs. Some crude humor involves Joe's clothing and bodily functions, but it is not sexually explicit.

Substance Use

There is no explicit depiction of substance use in "Soul." While jazz clubs, which typically serve alcohol, are shown as settings, no characters are seen consuming alcoholic beverages. No illegal drug use is portrayed or referenced.

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Pixar's "Soul" presents a visually captivating exploration of life's purpose that offers both alignment and notable contradictions with biblical values. The film's core message that life is precious, valuable, and purposeful, encouraging appreciation for everyday joys over singular grand ambitions, resonates positively with Christian teachings on gratitude and contentment. It critiques materialism and individualism, suggesting that meaning extends beyond personal achievements. However, the movie's portrayal of the afterlife, including the "Great Before" and the pre-existence of souls, diverges significantly from traditional Christian theology, which posits that souls begin at conception and that the afterlife involves judgment and a distinct heaven or hell, rather than a cosmic training ground or a blending into a universal light. The spiritual guides, referred to as "Jerries," and the involvement of "mystics without borders" operating on an "Astral Plane," lean towards a New Age or relativistic worldview, where individual experience dictates meaning rather than a transcendent Creator. Regarding character morality, Joe Gardner's journey demonstrates a growth from a self-absorbed pursuit of musical fame to a profound appreciation for the simple act of living. He learns that his singular passion, while good, became an obsession that blinded him to the beauty around him, a valuable lesson against idolatry of ambition. This transformation shows a form of moral learning, where narrow focus is replaced by a broader, more selfless perspective. Joe's ultimate sacrifice of his "earth pass" to give 22 a chance at life is a powerful act of grace and selflessness, aligning with Christian principles of sacrificial love, even if not explicitly framed in a theological context of atonement or forgiveness of sin. The film implicitly rewards this virtue by granting Joe a renewed chance at life with a changed perspective. The worldview presented is largely transcendent in its acknowledgment of a spiritual realm, yet it lacks specific Christian faith representation and instead offers a generalized spirituality. While the movie affirms life itself as a gift, it refrains from attributing this gift to God as Creator. Family values are subtly present through Joe's relationship with his mother, whose initial practical concerns eventually give way to support, highlighting the importance of earthly relationships as part of a meaningful life. Christian parents may find "Soul" to be a good starting point for discussions about life's purpose, the dangers of obsession, and valuing the mundane, but it necessitates careful discernment and conversation about its speculative and non-biblical spiritual concepts, particularly concerning the origin and destiny of the soul.

Additional Context

Best For Ages

Recommend for ages 8+. While rated PG for "thematic elements and some language," the film's mature themes of death, the afterlife, and existential purpose can be complex for younger children. Some scenes with "Lost Souls" may also be frightening. Parental guidance is strongly advised to discuss the movie's spiritual concepts and ensure children understand the distinction between fantasy and their family's beliefs.

Good to Know

Christian parents should be prepared for significant discussions regarding the film's spiritual and philosophical themes. The movie's depiction of a "Great Before" and "Great Beyond," along with the concept of souls finding their "spark" for life, presents a worldview that is largely allegorical and does not align with biblical teachings on creation, human purpose, and the afterlife. It is crucial to frame these elements as fantasy rather than theological truth.

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