Nanny McPhee Returns, also known as Nanny McPhee and the Big Bang, is a family fantasy film released in 2010, serving as a sequel to the 2005 movie 'Nanny McPhee'. Set in the English countryside during World War II, the story follows the magically gifted Nanny McPhee as she comes to the aid of a harried mother, Isabel Green, who is struggling to manage her three energetic children and two spoiled city cousins amidst wartime challenges and financial woes. The film blends comedic elements with heartwarming lessons on cooperation, bravery, and faith, as Nanny McPhee employs her unique brand of magic to teach the children five vital lessons. It explores themes of family unity, responsibility, and resilience in the face of adversity, aiming to entertain a broad audience with its whimsical narrative and moral underpinnings. The film maintains a lighthearted tone despite some moments of peril and mild conflict, ultimately delivering a positive message about the importance of family values.
The film contains mild, mostly slapstick violence and some verbally threatening situations. Children engage in physical altercations, and Nanny McPhee's magic sometimes results in comical yet impactful discipline, alongside moments of peril involving adults and a bomb.
Children are shown punching, slapping, pulling hair, hitting, kicking, and wrestling aggressively with one another. Under Nanny McPhee's magical influence, children are seen punching themselves, pulling their own ears, or banging their heads against walls until they learn their lessons. Villainous characters, Miss Topsey and Miss Turvey, explicitly threaten Uncle Phil by stating they will 'take his kidneys' or 'stuff' him due to gambling debts. A tension-filled scene involves the children attempting to defuse a large unexploded bomb that has landed in their field.
The movie includes a few mild expletives and some British profanities, along with instances of crude humor centered around barnyard waste, which is frequently used by characters.
British profanities such as 'bloody' and 'blimey' are used once or twice. The word 'hell' is uttered by a youngster in one instance. God's name is misused once or twice. The word 'poo' (referring to dung) is used frequently throughout the film, particularly in early scenes, as a source of rude humor and as a descriptor for the farm environment, with Cyril Gray commenting on 'the land of poo'.
Magic is a central element of the film, wielded by Nanny McPhee as a tool for discipline and problem-solving. It is portrayed as benevolent and fantastical, not as dark occult practice or traditional witchcraft.
Nanny McPhee employs her magical walking stick to enforce lessons and resolve chaotic situations, such as causing children to magically 'fight themselves' as a consequence of their squabbling. Her magic also leads to fantastical events like piglets performing synchronized swimming or crops being harvested instantly, serving to teach the children cooperation and hard work. Nanny McPhee's appearance itself transforms (losing warts and her unibrow) as the children learn their lessons, indicating her magic is tied to positive behavioral change. Christian reviews generally interpret the magic as a benign fantasy element, more akin to Mary Poppins or Narnia than dark witchcraft, with one suggesting Nanny McPhee functions as a 'prophetic angel figure'.
The film features some intense situations and mildly frightening elements, primarily from Nanny McPhee's initial appearance, menacing debt collectors, and scenes of peril.
Nanny McPhee's initial appearance is described as 'hideously ugly' and 'frightful-faced,' which, combined with her mysterious entry and magical abilities, can be unsettling to younger children. The debt collectors, Miss Topsey and Miss Turvey, are portrayed as burly and intimidating women who threaten Uncle Phil, creating a sense of unease. A scene involving the children disarming an unexploded bomb on the farm generates significant tension and potential fear. Additionally, the news, albeit temporary, that the children's father has been killed in action provides a genuinely sad and intense emotional moment.
Disrespect and rebellious behavior are central themes in the film, as Nanny McPhee is brought in specifically to address the unruly conduct of the children, who frequently quarrel, talk back, and ignore rules.
The Green children are initially depicted as 'quite the handful' who sass their mother, scuffle, and screech, while their cousins, Cyril and Celia, arrive with 'high-and-mighty attitudes' and engage in squabbling and class-conscious insults. The children demonstrate defiance by yelling at adults and engaging in name-calling like 'poo-man,' 'beast,' and 'idiot.' Cyril also talks back to his father, exhibiting disrespect towards authority. The entire premise of Nanny McPhee's arrival is to instill discipline, respect, tidiness, and manners, highlighting the initial prevalence of these negative behaviors.
Comprehensive searches for LGBTQ+ content, characters, or representation in 'Nanny McPhee Returns' yielded no relevant results. There is no explicit or implied LGBTQ+ content, characters, or themes depicted in the movie or discussed in associated parental reviews or creator statements.
No instances of LGBTQ+ characters, relationships, or themes were identified in the film. Searches specifically combining 'Nanny McPhee Returns' with terms such as 'lgbtq', 'gay', 'lesbian', 'transgender', 'queer representation', and 'LGBTQ characters' did not return any relevant content. Additionally, reviews of the film and creator interviews do not mention any LGBTQ+ elements.
Romantic and sexual content is minimal and innocent, limited to brief displays of affection between a married couple and a minor visual gag.
Mr. and Mrs. Green are shown embracing and sharing a kiss, indicative of a loving, married relationship. In one scene, Mrs. Green's skirt briefly hikes up while she is going down a makeshift slide, without any suggestive or explicit context. The film also includes a character's comment about divorce in a thematic, rather than explicitly sexual, context.
The film does not contain any depictions of illegal drug use, smoking, or excessive alcohol consumption. A non-alcoholic beverage is referenced.
The movie includes no instances of illegal drug use or smoking. Characters are shown drinking 'ginger beer,' but it is explicitly stated that there is no indication of it being the alcoholic version. Therefore, actual substance use is absent from the narrative.
The film does not contain overtly anti-Christian themes or messages. While Nanny McPhee's magic is fantastical and not explicitly rooted in a Christian worldview, the movie promotes strong moral values such as teamwork, forgiveness, and family unity, with 'faith' being extolled in a general sense.
Movieguide notes a 'light mixed pagan worldview' due to the magic, but emphasizes 'very strong moral elements' and that 'faith' is extolled, even if not explicitly Christian. A Christian review interprets Nanny McPhee as a 'prophetic angel figure' and views her actions as promoting biblical values like family and morality, drawing parallels between her staff and those of Moses or Aaron. There is no mockery, insult, or criticism of Christian beliefs, symbols, or figures within the film.
Ages 7+ with parental guidance for children under 10. The film's PG rating is justified by instances of rude humor, mild language, fantasy violence, and some intense thematic elements, which may be too frightening or complex for very young viewers.
The film is a sequel, but functions well as a standalone story. While rated PG, the intensity of some scenes, such as the bomb defusal and the portrayal of intimidating debt collectors, suggests closer parental supervision for younger children might be beneficial. The film overall promotes positive moral lessons through Nanny McPhee's unique teaching methods.
These concerns are a starting point — what many Christian parents care about. Want to screen for other themes? Define your own concerns.
Screen any book, movie, or show — even titles no one else has reviewed.
“StoryScanner gives us clarity and confidence. It's become our go-to for checking books at the library and movies on family night.”
— Cristi & Brian, Dallas TX
“StoryScanner has been such a BLESSING for researching books for our children. You can set filters for your concerns, enter a book title, and it lets you know what's present.”
— Christian Book Reviews for Families (Facebook)
No credit card required