Landmarks (Spanish: Nuestra Tierra) is a 2025 documentary film directed by Lucrecia Martel. The film explores the murder of indigenous leader Javier Chocobar in 2009 and delves into the broader legacy of colonialism and land ownership issues within Latin America, particularly in Argentina. It has been critically acclaimed for its examination of post-colonial themes, premiering at the Venice International Film Festival in August 2025 and winning Best Film at the BFI London Film Festival in October 2025. With a runtime of 124 minutes, the documentary offers a patient yet emotive look at historical injustices and their enduring impact.
The documentary centrally addresses the murder of indigenous leader Javier Chocobar and explores the historical context of colonialism in Latin America. While a documentary, the subject matter inherently involves past and present violence related to land conflicts and the impacts of colonial oppression, including death and brutal historical conflicts.
The film 'follows the murder of indigenous leader Javier Chocobar'. This central plot point directly indicates the presence of violence. Furthermore, the exploration of 'the legacy of colonialism on Latin America' can encompass historical violence, although specific graphic depictions are not detailed in available synopses.
The film's subject matter, 'the murder of indigenous leader Javier Chocobar' and the 'legacy of colonialism', is inherently serious and can be emotionally intense. While it is a documentary, the exploration of injustice, loss, and historical oppression may present disturbing facts and imagery, making it potentially intense for viewers.
The core premise involving a 'murder' and the impact of 'colonialism' on communities inherently carries intense themes of conflict, suffering, and injustice. The film is described as delivering its message with 'quiet rage and sorrow' and being an 'emotive watch,' suggesting a powerful emotional impact rather than jumpscares or horror.
The documentary centers on the struggle for indigenous land rights and the impacts of colonialism, which inherently involves themes of defiance, resistance, and opposition to oppressive systems. This context suggests a portrayal of rebellion against established authorities and historical disrespect towards indigenous communities.
The film examines 'issues of land ownership in Argentina' and interrogates 'the role of this history in the murder of Javier Chocobar, a Chuschagasta leader in the struggle for indigenous land rights'. This directly illustrates themes of resistance and defiance by indigenous communities against historical and ongoing disrespect and oppression. The film aims to 'preserve' the 'heritage' of such communities.
There is no available information or critical commentary that indicates the presence of LGBTQ+ characters, themes, or gender identity discussions within the documentary film 'Landmarks (Spanish: Nuestra Tierra).' Searches for the film and its director, Lucrecia Martel, in conjunction with LGBTQ+ keywords did not yield specific content related to the film itself. General mentions of 'landmarks' in 2026 in search results were related to physical LGBTQ historical sites or events, not the film.
No specific examples of LGBTQ+ characters, scenes, or quotes related to the film 'Landmarks (Spanish: Nuestra Tierra)' have been identified in available reviews or plot summaries. The film's premise, focusing on indigenous leader Javier Chocobar's murder and colonialism, does not inherently suggest LGBTQ+ themes.
Based on the available information regarding 'Landmarks (Spanish: Nuestra Tierra),' there is no indication of romance or sexual content. The film's focus is on social, historical, and political themes rather than personal relationships of a romantic or sexual nature.
No specific examples of romantic interactions, sexual content, or suggestive themes have been found in the premise or reviews of 'Landmarks (Spanish: Nuestra Tierra).' The film's synopsis centers on the murder of Javier Chocobar and colonialism.
There is no specific information available from reviews or plot summaries for 'Landmarks (Spanish: Nuestra Tierra)' to suggest the presence of profanity. As a documentary, any language would likely be context-dependent on interviews or archival footage, but its frequency or intensity cannot be determined at this time.
No specific instances or descriptions of profanity usage (e.g., strong curse words, frequent swearing) within 'Landmarks (Spanish: Nuestra Tierra)' have been identified in the provided search results.
There is no information available from critical reviews or plot summaries of 'Landmarks (Spanish: Nuestra Tierra)' to suggest the presence of witchcraft, sorcery, occult practices, or supernatural themes. The documentary's focus is on real-world historical and social issues.
No specific examples related to witchcraft, magic rituals, demons, or supernatural elements have been mentioned in any descriptions of 'Landmarks (Spanish: Nuestra Tierra).' The film's premise is firmly rooted in historical events and social commentary.
Reviews and plot summaries for 'Landmarks (Spanish: Nuestra Tierra)' do not indicate the presence of substance use, such as alcohol or drug consumption. The documentary's subject matter on colonialism and indigenous land rights does not inherently suggest these themes will be prominent.
No specific instances of characters using alcohol, drugs, or engaging in substance abuse have been found in the available information about 'Landmarks (Spanish: Nuestra Tierra).' The film's core themes do not point to this content.
Given that the documentary examines the 'legacy of colonialism on Latin America', there is a potential, though not explicitly confirmed, for the film to critique the historical role of religious institutions within colonial structures. However, without direct evidence from reviews detailing anti-Christian messaging or explicit mockery, a low severity is maintained.
The film's focus on 'colonialism' in Latin America could implicitly touch upon the historical actions of Christian institutions during colonial periods. However, no specific details or quotes explicitly mocking Christian beliefs, depicting sacrilegious acts, or promoting anti-Christian messages have been found in available summaries. The film is described as 'interrogation of colonialism' and 'social commentary' but not specifically anti-religious.
A specific official age rating (e.g., MPAA) for 'Landmarks (Spanish: Nuestra Tierra)' is not publicly available at this time. However, given its subject matter dealing with murder, colonialism, and historical injustices, the film is likely intended for mature audiences, potentially PG-13 or R, depending on the graphic nature of its depictions of violence and suffering. It would be most suitable for viewers aged 14 and older due to its serious and potentially disturbing themes.
Detailed parental guidance regarding specific scene content, language descriptors, or explicit age ratings from organizations like the MPAA are not yet widely available for 'Landmarks (Spanish: Nuestra Tierra)' as of early March 2026. The film is a documentary focusing on heavy, real-world issues, which should be considered when assessing its appropriateness for younger viewers.
These concerns are a starting point — what many Christian parents care about. Want to screen for other themes? Define your own concerns.
Screen any book, movie, or show — even titles no one else has reviewed.
“StoryScanner gives us clarity and confidence. It's become our go-to for checking books at the library and movies on family night.”
— Cristi & Brian, Dallas TX
“StoryScanner has been such a BLESSING for researching books for our children. You can set filters for your concerns, enter a book title, and it lets you know what's present.”
— Christian Book Reviews for Families (Facebook)
No credit card required