I Love Boosters

Characters are shown peeling skin from their own bodies to reveal muscle underneath, a visually disturbing sequence. The movie also features people shooting guns at a fleeing woman and a woman being kidnapped and roughly tossed into a van. Additionally, a sexual scene involving a demon is described as violent.

I Love Boosters contains 'explicit sexual moments,' including 'graphic sex with a woman' by a demon who 'sucks her soul out through her private parts,' described as a 'horrifying process paired with the woman's exaggerated (and graphic) response'. The film also shows 'full-frontal male nudity and all but full-frontal female nudity,' with reproductive organs of 'skinless male characters' clearly visible. A scene at the beginning shows Corvette (Keke Palmer) engaging in suggestive flirtation that implies sex before turning into a sales pitch.

The film includes 'perhaps the most profane use of Jesus' name...pairing the abuse with a crude use of 'd–k''. 'God's name is abused six times,' and the 'f-word is used nearly 100 times,' while the 's-word' is heard more than 75 times. Other profanity includes 'b–ch' (over 20 times), 'd–n,' 'a–,' 'a–hole,' 'h—,' 'p—y,' 'd–k,' 'whores,' and 'p-ss,' along with the word 'retarded'.

A central character in the film is explicitly identified as a 'demon' who, despite often appearing human, reveals a 'disturbing, snakelike form' in one scene. This demon claims to 'take souls from people,' a process explicitly shown as occurring through sexual means. The film also includes 'infrequent portrayals of transformations and monstrous imagery'.

Scenes include characters peeling the skin from their bodies to reveal muscle underneath, creating graphic and intense visuals. The presence of a 'demon' character, with its 'disturbing, snakelike form,' and its act of 'suck[ing] souls' out of individuals through graphic sexual encounters, contributes significantly to the scary and intense content. The film's overall surreal and often absurd aesthetic also creates a consistently unsettling atmosphere.

The main characters are 'thieves' and 'shoplifters' who engage in 'criminal activities' but are framed as 'fashion-minded Robin Hoods' meant for audience sympathy. The film's plot involves Corvette and her friends explicitly 'up[ping] the ante to make the couture tycoon hurt'. The core themes include 'corporate greed and exploitation' and 'collective action' to 'take down a cutthroat fashion mogul'.