House on Eden
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Screen for YOUR familyParent's Guide to House on Eden
House on Eden (2025) is an upcoming found-footage horror film directed, written, and starring social media personality Kris Collins, alongside fellow influencers Celina Myers and Jason-Christopher Mayer. The movie follows a trio of paranormal investigators, Kris, Celina, and their cameraman Jay, as they venture into a secluded, abandoned house in the woods after Kris reroutes them from their original destination. The house is linked to an urban legend about a mysterious disappearance and a malevolent, ancient spirit known as Lilith. As the group attempts to document paranormal activity for their online channel, they face increasingly disturbing phenomena, including possession and violence, ultimately leading to a confrontation with cultish elements and the demon Lilith. The film is distributed by RLJE Films and Shudder, and has a runtime of approximately 78 minutes. It is rated R due to content that includes graphic nudity, strong language, throat-slashing violence, and a spiritually twisted worldview. The movie aims to deliver scares reminiscent of "The Blair Witch Project" and "Paranormal Activity" but has received mixed reviews regarding its originality and effectiveness of scares.
Things to Consider
Violence
The film contains graphic and intense violence, including direct attacks, throat-slashing, and explicit depictions of bloody corpses. This violence is central to the horror narrative and contributes significantly to the R rating.
A spectral woman attacks Kris, knocking her down. Later, this nude woman cuts her own throat and bleeds out over Kris, leading to Kris's possession. Celina punches Jay in the face, causing a bloody nose. The climax involves Kris's clothing being stripped off, and her being rubbed with blood from the corpses of Jay and Celina. The film also includes "quick shots of several seemingly dead people on the ground; their clothes covered in blood".
Romance and Sexual Content
House on Eden (2025) features graphic nudity, sexually suggestive elements, and references to sexual themes, which are significant factors in its R rating and are explicitly mentioned in parental reviews.
Profanity
The film contains frequent and strong profanity, with explicit use of the f-word and other foul language, contributing to its R rating.
Witchcraft & Occult
The film's central plot extensively features witchcraft, occult practices, and demonic elements, including possession, ancient spirits, pagan rituals, and a cult. These themes are integral to the horror narrative.
Scary & Intense Content
As a found-footage horror film, "House on Eden (2025)" delivers frequent jump scares, suspenseful sequences, disturbing imagery, and a pervasive sense of dread, making it intensely frightening.
Anti-Christian Themes
The film explicitly features anti-Christian themes by presenting a "spiritually twisted worldview" that distorts biblical narratives through the demonic figure of Lilith, along with pagan rituals and cultic practices that contradict Christian beliefs.
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Disrespect & Rebellion
The movie portrays significant disrespect and rebellion among the main characters, particularly through Kris's disregard for her friends' wishes and her increasingly hostile and manipulative behavior.
LGBTQ & Gender Identity
No explicit LGBTQ+ characters, themes, or plotlines were identified in the available information for "House on Eden (2025)" through comprehensive and targeted searches. An implied heterosexual crush between the characters Jay and Kris is noted, but no queer representation was found.
Substance Use
No explicit substance use, such as illegal drugs, excessive alcohol consumption, or smoking, is reported as a significant element within the film's plot or character actions in the available reviews and plot summaries.
House on Eden (2025) presents a worldview deeply steeped in the occult and paganism, directly contradicting biblical values. The film centers on the malevolent ancient spirit Lilith, portrayed as a demonic entity from Jewish folklore who is implied to be Adam's first wife and is a succubus. This reinterpretation and distortion of biblical figures and narratives aligns with anti-Christian themes, portraying a "spiritually twisted worldview" that embraces dark supernatural elements rather than God-ordained truths. The narrative rewards reckless ambition and curiosity in the paranormal with demonic possession and initiation into a cult, without presenting any redemptive counter-narrative or moral accountability rooted in Christian ethics. Character morality in the film is largely driven by self-interest and a pursuit of viral content, leading to betrayal, disrespect, and eventual spiritual corruption. Kris's ambition to boost her channel blinds her to danger, fractures relationships, and culminates in her possession and assimilation into a pagan cult. There are no themes of sacrifice, forgiveness, or grace; instead, characters face dire consequences for their engagement with the occult, highlighting a deterministic and bleak spiritual outcome. Family values, if implicitly addressed through the characters' relationships, are shown as fragile and susceptible to conflict, with disrespectful behavior and arguments among the friends. Faith, as represented by the Christian tradition, is not depicted respectfully but is actively undermined through the film's embrace of demonic entities and pagan practices. The film's exploration of possession, cultic rites, and the demon Lilith serves to glorify a dark supernatural realm, promoting an anti-Christian perspective where evil forces are potent and ultimately triumph over human agency without divine intervention. This narrative reinforces a worldview that is far from transcendent in a biblical sense, instead delving into a realm of spiritual darkness and depravity.
Additional Context
Best For Ages
17 and older. This recommendation is based on the movie's R rating, which is justified by its explicit content including graphic nudity, severe violence, strong profanity, and significant occult and demonic themes. The intense horror elements, disturbing imagery, and mature subject matter are unsuitable for younger viewers.
Good to Know
The film's found-footage style, while aiming for authenticity, has been criticized for shaky camera work that may induce motion sickness in some viewers. The narrative is largely driven by social media personalities, which blurs the lines between their online personas and the fictional characters. There are no confirmed differences across theatrical, extended, or director's cuts, or significant content shifts across sequels as this is a debut film.
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