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Screen for YOUR familyThe Mitchells vs. the Machines is a 2021 animated science fiction road comedy film that follows the dysfunctional Mitchell family as they embark on a cross-country road trip to take their daughter Katie to film school. Their plans are derailed when a global robot uprising occurs, forcing them to become humanity's unlikely last hope. The movie, originally titled "Connected," is praised for its innovative animation style, humor, and heartwarming messages about family connection and embracing individuality. It explores themes of technological reliance versus genuine human interaction and the importance of understanding and accepting family members despite their differences. The film is generally considered suitable for families, with some intense action sequences and mild language, and features a groundbreaking openly queer protagonist.
The film features Katie Mitchell, the main protagonist, as an openly queer character. This aspect of her identity is subtly integrated throughout the film and explicitly confirmed in a post-credits scene, without being the central conflict of the story. Directors intentionally made Katie queer in consultation with queer crew members.
Katie consistently wears a rainbow pride pin on her hoodie throughout the movie. In a post-credits scene, Katie's mother, Linda, asks her on the phone, 'Are you and Jade official yet? And will you be bringing her home with you for Thanksgiving?' Katie responds, 'Easy, mom. It's only been a few weeks!'
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Ages 8 and up with parental guidance. The film is rated PG and contains frequent action violence, intense sci-fi themes of a robot apocalypse, and some instances of mild language and disrespect, which may be frightening or lead to discussions for younger viewers.
The film highlights positive messages about family unity, embracing individuality, and finding common ground despite differences. It also subtly critiques over-reliance on technology while celebrating creativity. The inclusion of a queer protagonist is a significant element, handled in a way that is integrated into the character's identity rather than being a central conflict or 'coming out story.'
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