Colors of Evil: Black

Name: Colors of Evil: Black - Christian Parent's Review
Item: Colors of Evil: Black
Rating: 1
Author: StoryScanner

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General Review

Parent's Guide to Colors of Evil: Black

Colors of Evil: Black (2026) is a Polish crime thriller and the second installment in the 'Colors of Evil' trilogy, based on novels by Małgorzata Oliwia Sobczak. Released on Netflix on June 10, 2026, it continues the dark and intense narrative of prosecutor Leopold Bilski as he investigates the disappearance of a child in a seemingly peaceful Kashubian town. The film delves into themes of psychological tension, moral darkness, and deep-seated societal corruption, with reviews describing it as grimmer and more devastating than its predecessor, 'Colors of Evil: Red'. It is not a straightforward 'whodunit' but rather an exploration of collective complicity and the lasting impact of hidden truths and trauma on a community, particularly involving child victims. The movie is intended for mature audiences due to its disturbing subject matter and oppressive atmosphere, focusing on the bleak realities of crime and human behavior.

Things to Consider

High5

Violence

The film contains high levels of violence, particularly focusing on the devastating impact of crime on young victims. Reviews highlight 'genuinely hard to watch' moments and instances of graphic injury details, which contribute to the film's grim and intense tone.

The story involves the disappearance of a child, and previous events detailed within the narrative include the disposal of a body by 'sawing off his head' by the character Nicki, relating to an earlier victim named Adam. Reviews note that because the narrative 'focuses heavily on young victims, it often hits especially hard. Viewers with children of their own may find certain scenes particularly difficult to watch.'

Romance and Sexual Content

The movie includes explicit references to sexual abuse, particularly involving children and a church setting, making this a central and disturbing theme. The presence of pedophilia and its enablers is a significant plot point, carried over or intensified from the series' thematic foundation.

'Colors of Evil: Black' inserts 'sexual abuse in a church' as a 'grave' and 'dark' element. The plot revolves around themes of 'pedophiles and those who enable such monsters'. Specifically, the character Chojnacki, associated with the local church, was responsible for the molestation of children in the church choir, including Julia Sarman, and fathered an illegitimate son with a 14-year-old choir singer.

Scary & Intense Content

The film is described as extremely grim, intense, and psychologically devastating, establishing an 'unsettling mood' and 'oppressive atmosphere' that pervades its entire runtime. The focus on child victims and the slow unraveling of deep-seated societal corruption create a constant sense of discomfort and dread.

Director Adrian Panek 'delivers a sequel that is even grimmer, more intense, and at times more devastating than its predecessor.' The film 'establishes an unsettling mood from the start and maintains it for almost its entire 110-minute running time' and 'frequently creates a sense of discomfort that lingers long after a scene has ended.' It 'scares viewers using mood and uncertainty' where 'the mere implication of the truth is enough to leave anyone on edge.'

Disrespect & Rebellion

The narrative prominently features themes of societal disrespect for truth and justice, widespread corruption, and a collective rebellion against moral accountability. The townspeople actively engage in cover-ups and silence, enabling heinous crimes and resisting the prosecutor's efforts to expose the truth.

Prosecutor Leopold Bilski confronts 'a community that would rather stay silent than reveal the truth' about the child disappearances and related crimes. The film is characterized as 'an examination of complicity, cowardice, and corruption that resists the notions of truth and justice at every turn, by consensus.' The investigation reveals that 'almost everyone was involved in one way or another, and that the local community looked away rather than speaking up' regarding the abuse and crimes.

Anti-Christian Themes

The film features significant anti-Christian themes by depicting sexual abuse occurring within a church context and highlighting the institutional complicity of the church and its members in covering up these heinous acts. This portrayal suggests a profound moral failure within a religious institution and a community's pious facade concealing immense evil.

The storyline explicitly includes 'sexual abuse in a church' as a 'grave' and 'dark' element within the crime thriller. Prosecutor Bilski's investigation 'uncovers numerous connections to the local church, implying that children in the church choir were abused back in the day'. Chojnacki, a key figure in the abuse, was 'a part of the church's inner circle'. Furthermore, 'because of the close-knit, pious nature of the community, many of the parents of these children chose to ignore the obvious abuse rather than challenge the status quo'.

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Medium1

Witchcraft & Occult

Low3

LGBTQ & Gender IdentityProfanitySubstance Use

Additional Context

Best For Ages

18+ due to pervasive mature themes including child abduction, graphic violence, sexual abuse (implied and discussed), institutional corruption, and a relentlessly dark and unsettling atmosphere. The film's focus on young victims and societal complicity in heinous crimes makes it unsuitable for younger viewers.

Good to Know

Colors of Evil: Black is a sequel to 'Colors of Evil: Red' and deepens the thematic exploration of crime and psychological darkness. Viewers should be aware that the film is part of a trilogy, suggesting a continued narrative and thematic intensity in future installments. The movie's runtime is approximately 110-112 minutes. The focus is on a slow-burn psychological dread rather than jump scares, making its impact deeply unsettling and long-lasting. The film's rating on Netflix is TV-MA, indicating it is specifically designed for mature audiences.

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