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Once Upon a Broken Heart

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General Review

Parent's Guide to Once Upon a Broken Heart

Once Upon a Broken Heart is the first installment in Stephanie Garber's young adult fantasy series, set in the same whimsical universe as her Caraval trilogy. The story follows Evangeline Fox, a young woman who believes in true love and happy endings until her beloved is set to marry another. In her desperation, Evangeline makes a dangerous bargain with Jacks, the enigmatic and powerful Prince of Hearts, a Fate known for his fatal kisses and unpredictable nature. The narrative weaves together themes of romance, magic, and destiny as Evangeline navigates a world filled with immortal beings, ancient curses, and perilous quests to achieve her own version of happily ever after, or face an exquisite tragedy. The book is designed for a young adult audience, exploring emotional depth and complex relationships within a fantastical setting.

Things to Consider

High2

Witchcraft & Occult

Witchcraft and occult themes are central to the story, involving powerful immortal beings known as Fates, magical bargains, curses, spells, and the introduction of supernatural creatures like vampires.

Evangeline makes a deal with Jacks, the Prince of Hearts, an immortal Fate, to alter events, which is a core magical bargain. Characters also engage in self-mutilation, 'cutting themselves with knives to use their blood to do something magical.' Marisol uses a 'love potion' created from a spell book to enchant Luc. The plot also introduces vampires, creatures with supernatural abilities and dark associations.

Anti-Christian Themes

The book features prominent themes of interacting with pagan-like deities and Fates, using magic, and making bargains with supernatural entities, which are contrary to traditional Christian teachings. The concept of praying to a 'Prince of Hearts' in a 'church' setting blends religious imagery with pagan practices.

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Medium7
LGBTQ & Gender IdentityViolenceRomance and Sexual ContentProfanitySubstance UseScary & Intense ContentDisrespect & Rebellion
Medium7

LGBTQ & Gender Identity

The book contains a brief, passing mention of a gay couple, indicating minimal LGBTQ+ representation within the narrative. There is no explicit exploration of gender identity or significant LGBTQ+ plotlines.

Violence

The narrative includes various instances of implied and depicted violence, ranging from magical incapacitation to physical threats and descriptions of injuries. While not overly graphic, these scenes contribute to a sense of peril and danger.

Romance and Sexual Content

The book features romantic themes with kissing scenes and significant romantic tension between characters, particularly between Evangeline and Jacks. However, the content is described as avoiding erotic details and is generally considered PG.

Profanity

Profanity in the book is minimal and generally mild, with infrequent use of common swear words and one instance of a deity's name taken in vain.

Substance Use

Instances of substance use are infrequent and generally mild, limited to social drinking. However, poisoning plays a significant role in the plot as a form of harm.

Scary & Intense Content

The book contains moderately scary and intense content, including threatening situations, cruel characters, supernatural elements like vampires, and descriptions of peril and death.

Disrespect & Rebellion

The protagonist, Evangeline, displays traits of naivete and makes significant, potentially reckless decisions by engaging with powerful and dangerous magical entities, which can be seen as a form of defiance against conventional wisdom and safety.

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Once Upon a Broken Heart presents core themes of love, deception, and the pursuit of a 'happily ever after,' often through desperate and dangerous means, including bargains with powerful, enigmatic Fates. From a Christian perspective, the narrative's central premise of manipulating love and making deals with self-serving supernatural entities directly contradicts biblical principles of seeking truth, trusting in God's will, and the sanctity of genuine affection. The worldview is deeply rooted in a pervasive magical system where 'Fates' operate as a form of a religious system, to whom prayers and bargains can be made, but these entities are portrayed as cruel, fickle, and dangerous, leveraging human despair for their own ends. This reliance on magical manipulation and dangerous pacts, rather than divine guidance or ethical choices, positions the story's underlying philosophy at odds with a transcendent Christian worldview that emphasizes a benevolent, sovereign God and moral accountability. Furthermore, the limited depiction of faith involves this non-Christian, often malevolent, magical system, with a passing reference to using the 'name of Deity in vain'. Character morality in the book is notably gray. Evangeline, though initially a kind-hearted protagonist who believes in true love, makes questionable decisions and a desperate bargain with Jacks, a morally ambiguous Prince of Hearts. Jacks himself is depicted as manipulative, self-righteous, and an agent of chaos, whose relationships are built on lies and betrayal. While Evangeline performs a selfless act of sacrifice to save others from a curse, this act is often framed by guilt and a naive hope for reciprocal salvation, rather than a clear adherence to virtue or a recognition of grace. Consequences for choices are evident, reinforcing a form of moral accountability, yet the blurred lines between good and evil, where vice can seemingly lead to desired outcomes, challenge biblical teachings on righteous living. Redemption themes, while present in the sense of Evangeline's resilience and self-discovery, are primarily achieved through navigating the magical world's intricacies and personal growth, rather than spiritual transformation or forgiveness in a Christian context. Family values are largely portrayed negatively within the story, with Evangeline experiencing a cold relationship with her stepmother and betrayal from her stepsister, Marisol. This contrasts sharply with biblical ideals of family harmony and honor. The book's exploration of "fated love" and the blurring of lines between free will and destiny also diverge from a Christian understanding of intentional, covenantal relationships and personal responsibility in love and marriage.

Additional Context

Best For Ages

Ages 14 and up. This recommendation is based on the presence of mild violence, including descriptions of injuries and vampire activity, some romantic tension and kissing, infrequent mild profanity, and significant themes of magic and dealings with supernatural entities known as Fates.

Good to Know

The series is a spin-off of the Caraval series, and some readers recommend reading Caraval first for a fuller understanding of the world and characters. The content progression across the series is noted to intensify romantic tension, but core content concerns remain consistent with the first book's established themes.

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